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Seph Rodney shares his experience of the most troubling and beautiful aspects of being a full-time critic and writer.

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Richard Yarde’s watercolors make a historical document into something personal, wistful, more a vision than a visual fact.

Most everything in this show is unsure, a maybe, might be there, might not be, could fulfill your hopes, might leave them by the side of the road.

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The images in Vik Muniz’s exhibition Scraps tempts that implicit human tendency to fill in the blanks, complete that which is partial, fragmentary.

Unlike the more celebrated painters around her, she didn’t resolve herself to working the same issues over and over; she kept asking herself other questions, pushing the paint to do what it had not quite done before.

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