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The “Loophole of Retreat” symposium at the Venice Biennale demonstrated that the personal is not only political; it’s also where most of humanity lives.

Seph Rodney shares his experience of the most troubling and beautiful aspects of being a full-time critic and writer.

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Richard Yarde’s watercolors make a historical document into something personal, wistful, more a vision than a visual fact.

Most everything in this show is unsure, a maybe, might be there, might not be, could fulfill your hopes, might leave them by the side of the road.

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Unlike the more celebrated painters around her, she didn’t resolve herself to working the same issues over and over; she kept asking herself other questions, pushing the paint to do what it had not quite done before.

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